The Steward
Imagine you are walking deep into the woods and you come across a clearing. In the clearing, sunlight beams break through the branches above and settle on a creature. The creature is sleeping so peacefully, radiating a feeling of comfort and warmth. The creature seems to have been there for so long that the grass is growing around it. You feel a deep calm.
This creature is The Steward.
The Steward is a fantastical nature spirit with the sole purpose of caring- in fact, he is as if caring were personified. The Steward is (speculatively) one of many. The viewer is invited to step into this fantastical world where stewards are a species, and each forest, lake or area has it’s own steward to look after it. I wished to play with the idea of nature spirits, which are common in many cultures around the world, and create my own. These stewards would not own any land, but would take full responsibility and care for their area.
The intended outcome for the audience would be for them to consider their relationship with nature, and how they would treat that same nature if they knew there was an altruistic, caring creature that felt the ramifications of their actions. Would they cut trees and litter if they knew they would cause despair to a creature that is intended for only good?
In the preliminary design process, I was very visually inspired by My Neighbor Totoro, specifically the character Totoro by Hayao Miyazaki. I was aiming to create a character that felt both comfortable and fantastical. While watching the film, it is impossible to not feel as though this creature would make you feel nothing but safe if you were in his presence. The character design of Totoro is familiar- his features are a mixture of cats, owls and rabbits, however he is still a magical being. I played with designs that would be both whimsical and peaceful. I settled with a catlike face and ears as his main characteristics, however he was also mystical with moth wings and two sets of ears. He is ultimately his own species, but was created as a humanoid cat fairy hybrid.
The creation process began with a base of expanding foam on MDF that was carved down into the intended shape of The Steward, and then covered in two layers of plaster. This process was surprisingly fast and simple, with the foam being very easy to cut and shape. The shape of this design was very inspired by Yoshitomo Nara’s work. In his sculpture Fountain of Life, the characters have very simple faces however they effectively communicate expression. I aimed to emulate this by making the calmness of The Steward obvious without overloading on detail. Before The Steward was painted, his proportions looked very similar to Nara’s work.
The abundance of colour and seemingly random designs are often a staple of my artwork, however I had never considered transferring my style onto sculpture before I had seen Yoona Love Kim’s work, specifically Bunny’s Rest Bonfire. This sculpture of covered in paintings and drawings in her usual style, but all over the piece. I decided that I wanted to mirror this with my own style of art
and use The Steward as a canvas. Covering him in drawings definitely impacted the reading of the work. It consolidated that he was not supposed to be a part of the normal ecosystem, but something whimsical, spiritual and fantastical.
The wings and the grass were the most time consuming parts of the sculpture. The wings began as a wire frame with cellophane that I wished to melt to look like fairy wings. This did not work as the cellophane would not melt properly and the wire was not delicate enough, even after changing the gauge. The switch to glass meant that I had to actually learn to cut glass. Many panes were broken in the process of figuring out which order to cut each line and how to ensure that the wings would
still be strong. The grass was tedious, as I painted, cut and places each individual blade. Although it was time consuming, it was important that I made him a part of nature, and the bed of grass was instrumental in this.
The Steward is care, love and hope amalgamated in a creature. This artwork aims to invoke introspection about our own relationships with nature and the world around us.
Bibliography
Kim, Yoona Love. n.d. "Bunny’s Rest Bonfire." Mutual Art. https://www.mutualart.com/Artwork/ Bunny-s-Rest-Bonfire/8E92C8F9D0A3C6452F09CEA5138B63F0
Miyazaki, Hayao. 1988. “My Neighbor Totoro.” Directed by Hayao Miyazaki. United States: 50th Street Films.
Nara, Yoshitomo. n.d. "Fountain of Life." Yoshitomo Nara. https://www.yoshitomonara.org/en/ catalogue/YNF5932/